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Yvonne Rainer is a New York City–based choreographer who was a leading member of Judson Dance Theater, the 1960s avant-garde dance collective that rejected modern dance. In 1965 Rainer wrote her famous “No Manifesto,” a public dismissal of the qualities that exemplified then-current concert dance styles: spectacle, glamour, virtuosity.

Innehåll. Idéarbete. Gestaltning verk 1. Teknisk beskrivning verk 1. Gestaltning och Yvonne Rainer and Robert Morris: An Evening of Talking and Dancing2016In: A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 / [ed] 2018/10/13, 20.00 – TRIO A/Yvonne Rainer, with Säfsten Prod, Skeppsholmskyrkan, Sthlm, SE. 2018/7/13, 20.30 – BODY MACHINERIES, Performance in Just Back From Los Angeles: A Portrait of Yvonne Rainer visar ett möte mellan Filmen avslutas med Rainers välkända dansverk Trio A från 1966, som EXCERPT https://vimeo.com/127825133 Yvonne Rainer: Trio A (The Mind Is a Muscle, Part. 1).

Trio a yvonne rainer

Trio A, a solo dance by Rainer, was initially performed in 1966 as a trio by Rainer and fellow New York choreographer-dancers David Gordon and Steve Paxton under the title The Mind is a Muscle, Part 1. Despite unimpressive reviews, Trio A has undergone numerous re-performances and transformations since its conceptual birth in 1965, but its importance as a piece of Yvonne Rainer’s has only solidified since. It has been performed in both traditional dance spaces and traditional art spaces, like museums. Yvonne Rainer: Trio A A look at the avant-garde dancer's iconic piece Created in 1966 and performed for the camera in 1978, Trio A (The mind is a muscle, part I) is one of Yvonne Rainer's most iconic dance pieces. Without music, props or a mise-en-scène, the piece placed Rainer as a leader in postmodern and contemporary dance. On October 4, 1999, Trio A was performed at Judson Church by Pat Catterson, Y.R., Douglas Dunn, Steve Paxton, and Colin Beatty as Trio A Pressured. “Trio A,” originally “The Mind Is a Muscle, Part 1,” was first danced by Ms. Rainer, Steve Paxton and David Gordon at Judson Memorial Church: the same choreography done concurrently by three Yvonne Rainer (born November 24, 1934) is an American dancer, choreographer, and filmmaker, whose work in these disciplines is regarded as challenging and experimental.

Rainer, Yvonne: Trio A. The Museo Reina Sofía radio station. The Museo Reina Sofía radio station

54–74. ↑ 8: Catherine Wood, Yvonne Rainer: The Mind is a Muscle (London: Afterall Books, 2007). ↑ 9: Email with the author, April 1, 2013 ↑ 10 Yvonne Rainer’s Diagonal (1963), Trio A with Flags (1966/1970), and Chair-Pillow (1969) were incorporated into the Bloodlines project in the 2016-2017 season, the third iteration of the initiative. Learn more about Yvonne Rainer and Bloodlines.

Early life. Yvonne Rainer was born on November 24, 1934, in San Francisco, California. Rainer's parents, Joseph and Jeanette, considered themselves radicals. Her mother, a stenographer, was born in Brooklyn to Jewish immigrants from Warsaw, and her father, a stonemason and house painter, was born in Vallanzengo, northern Italy, whence he emigrated at the age of 21.

Since its ﬁrst presentation in 1966 as part of the larger performance The Mind is a Muscle, Part 1 at Judson Memorial Church in New York, it has been performed repeatedly in various forms and contexts by dancers and nondancers alike. Dansmuseet i Stockholm öppnar med föreställningar av ikonen Yvonne Rainers 1960-talsverk ”Trio A”. Sinnet är en muskel – det påstod den amerikanska postmoderna koreografen Yvonne Rainer (85 år), som på senare år har fått en liten renässans i Stockholm genom plattformen Weld och dess unika danskompani. Julia Bryan Wilson describes the process of learning Trio A as a untrained dancer in “Practicing Yvonne Rainer’s Trio A,” October 140, Spring 2012, pp. 54–74. ↑ 8: Catherine Wood, Yvonne Rainer: The Mind is a Muscle (London: Afterall Books, 2007). ↑ 9: Email with the author, April 1, 2013 ↑ 10 Yvonne Rainer’s Diagonal (1963), Trio A with Flags (1966/1970), and Chair-Pillow (1969) were incorporated into the Bloodlines project in the 2016-2017 season, the third iteration of the initiative.

The dance consisted initially of a 5-minute sequence of movement that would eventually be presented as The Mind is a Muscle, Part I at Judson Church on January 10, 1966.
Halmstad skola ledighetsansökan

Learn more about Rainer’s life and career. Originalbild från Yvonne Rainers ”Trio A”, 1966. Foto: Yvonne Rainer Studio/Dansmuseet Dansmuseet i Stockholm öppnar med föreställningar av ikonen Yvonne Rainers 1960-talsverk ”Trio A”. The Ambulatory Aesthetics of Yvonne Rainer's Trio A - Volume 46 Issue 1 - Ryan Platt Skip to main content Accessibility help We use cookies to distinguish you from other users and to provide you with a better experience on our websites.

Curated by Elise Archias. Gallery 400. January 13-March 4, 2017.
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2020-03-24 · Yvonne Rainer in “Bach,” from “Terrain It’s a version of the “uninflected continuity” that Ms. Rainer introduced in her seminal 1965 work “Trio A,” connecting many

Performed by Björn Säfsten, Sebastian Lingserius, Nassim Meki and Stina Nyberg. Postponed: Yvonne Rainer's "Remembering and Disremembering Trio A" with Brittany Bailey / David Behrman's "Open Space with Brass" with Ed Bear & After Trio A is based on Yvonne Rainer's minimal dance piece Trio A (1966) and the No Manifesto (1965) written alongside of it.

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Haydn, Joseph, 1732-1809 (kompositör); [Trio, violin (2), violoncell, Hob. in zwei Aufzügen / von P. Florian Reichssiegel ; vorgelegt von Werner Rainer; 1996

Moving still: Mediating Yvonne Rainer's Trio A. October 89 (Summer): 87-112 On February 2, 1967, Yvonne Rainer performed a version of her signature dance, Trio A at The Playhouse at Hunter College. 1 Rather than as a trio, Rainer performed alone, and called this particular iteration Convalescent Dance. It was so named because Rainer performed the dance in a “convalescent—that is, weakened—condition” after her “slow recovery from a serious illness,” which 2017-06-22 Trio A is a well-known dance sequence by Yvonne Rainer.